World & I Online Magazine  
World & I School | World & I Homeschool | World & I College | World & I Library
 Username:   Password:     Subscribe   Register               About Us | Contact Us | FAQs
18-Year Archive Peoples of the World Book Review Worldwide Folktales Fathers of Faith
Search  
Sort by: Results Listed:
Date Range:    Advanced Search

Online Magazine
 
  Current Issue
Editorial
Current Issue
The Arts
Life
Natural Science
Culture
Book World
Modern Thought
  Resources
18-Year Archive
American Waves
Book Reviews
Ceremonies/Festivities
Eye on the High Court
Fathers of Faith
Footsteps of Lincoln
Millennial Moments
Peoples of the World
Profiles in Character
Teacher's Guide
Traveling the Globe
Worldwide Folktales
Writers and Writing

Working Together: The Maine Harvest Basket and Potato Barrel


Article # : 20619 

Section : CULTURE
Issue Date : 10 / 1992  2,906 Words
Author : Gordon Hammond
In 1975, Long Island native Gordon Hammond left an advertising career in Boston and New York to move to Maine. Today, he is an advertising consultant and copublisher of Echoes, a regional magazine of northern Maine culture. A related article, "Harvest Recess: Maine's Potato Culture Faces the Future," by Kathryn J. Olmstead, appeared in the October 1991 issue of THE WORLD & I (pp. 626-39)

       In America Today, many of us worry that we are not pulling together for the common good; we yearn for values that are associated with times in history when our country seemed more unified. We recall what life once was like in city neighborhoods, in the communities of the countryside, in the closeness of the family. Some say that cultural diversity is at the root of our problems and that unless we can be alike, act alike, think alike, we cannot have common national goals. This suggests that unity depends on cultural sameness.
       
       Our history belies that idea. When America was a nation of regions, some very isolated, and communities often were culturally unique, values were not something that needed explaining. Each community had rules that were essential to survival, to success, to prosperity. When the time came to meet a common threat (even if that threat was from the baseball club in the next town downriver), the trained response was there because "unity" was instinctive.
       
       One such region, the northernmost corner of the United States in the state of Maine, is the county of Aroostook. It is a place known historically for growing potatoes and tall timber, and a place where, not long ago, towns were isolated from one another during the long winter months and community pride became a kind of nationalism. And yet, as different as communities and sections of this vast county might have been, there was a common thread, a unifying theme that tied all together: independence, durability, and pride in having been able to turn a rugged wilderness and a hostile climate into what eventually came to be known as the Garden of Maine.
       
       This 6,600-square-mile region with 4 million acres of timber and 100,000 acres of cropland is home to many cultures. Two of them, the Micmac and the European-American farmer, joined a century ago to create a unique and picturesque harvest technique that remains strong in the consciousness of all those it has touched. The Aroostook harvest, in all its visual glory-its rosy sunsets and blazing autumn colors, its endless, undulating earthen furrows and tree-lined borders, its rich browns and clear sky blues--is represented by two simple tools: the Aroostook potato barrel and the Micmac ash-splint basket.
       
       Taming the North Woods
       
       When pioneers in the mid-1800s broke the pattern and turned north instead of west, navigating rivers into the teeth of a thick and impenetrable forest that came out of snow and ice only for a short period,
... Read Full Article


Look for this article in Ask.com

Copyright © 2004 The World & I. All rights reserved. Terms of Use | Privacy Policy