World & I Online Magazine  
World & I School | World & I Homeschool | World & I College | World & I Library
 Username:   Password:     Subscribe   Register               About Us | Contact Us | FAQs
18-Year Archive Peoples of the World Book Review Worldwide Folktales Fathers of Faith
Search  
Sort by: Results Listed:
Date Range:    Advanced Search

Online Magazine
 
  Current Issue
Editorial
Current Issue
The Arts
Life
Natural Science
Culture
Book World
Modern Thought
  Resources
18-Year Archive
American Waves
Book Reviews
Ceremonies/Festivities
Eye on the High Court
Fathers of Faith
Footsteps of Lincoln
Millennial Moments
Peoples of the World
Profiles in Character
Teacher's Guide
Traveling the Globe
Worldwide Folktales
Writers and Writing

Blaming America First, Last, and Always


Article # : 20122 

Section : CURRENT ISSUES
Issue Date : 2 / 1992  3,818 Words
Author : Joseph C. Goulden
Joseph C. Goulden, a veteran Washington writer, is director of media analysis for Accuracy in Media.

       Public television was conceived three decades ago as a supposed tax-subsidized alternative to what Federal Communications Commission Chairman Newton Minow called the "vast wasteland" of commercial TV. The idea was that programming not dependent upon mass audiences and ad dollars would have intellectual weight; control would be administered through local stations to ensure diversity.
       
        In its first years, public television was a high-browed joke, a medium dominated by animal travelogues, weird chamber music, and nerdy professors. No more. Today it is a billion-dollar business, with a Washington-led bureaucracy that has made a profitable art form out of "uplift."
       
        Appropriations for the Corporation for Public Broadcasting, the federal tax spigot for public TV and radio, increased from $20 million in fiscal 1970 to $327.3 million in fiscal 1990--400 percent in constant dollars. Corporations, foundations, and individual donors kicked in another $700-odd million. PBS even offers its own 40-page catalog of gifts for "fans and friends of public television," offering items ranging from Monty Python and Agatha Christie videos to Egyptian scarab earrings and massage oil.
       
        During a recent fund-raising drive, WETA-TV, the Washington PBS outlet, gave viewers this ego stroking; "You're the sort of viewer who's not afraid of bold, socially relevant, thought-provoking programming."
       
        So what do we get for our money? PBS brings us the Mac-Neill / Lehrer Report, admittedly several cuts above a commercial TV news show. We have the occasional symphony or opera, Masterpiece Theater, of course, and a surprising blockbuster series like The Civil War.
       
        Things fall off in a hurry thereafter, particularly in the area of public affairs. I have watched PBS closely for more than two years as an analyst for Accuracy in Media. Its "documentary" programs flaunt the standards by which decent journalists work. PBS consistently violates both the intent and content of the Public Broadcasting Act, which requires that programs or series of programs dealing with controversial issues that are in whole or part federally funded be produced with strict adherence to objectivity and balance.
       
        Several themes run through PBS programming. U.S. foreign policy is wicked. Our misguided leaders and the CIA were responsible for the Cold War. America has done nothing altruistic in
... Read Full Article


Look for this article in Ask.com

Copyright © 2004 The World & I. All rights reserved. Terms of Use | Privacy Policy