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Anatomy of a Story


Article # : 17842 

Section : BOOK WORLD
Issue Date : 3 / 1990  3,628 Words
Author : Marshall R. Pihl
Marshall R. Pihl is the author of Listening to Korea: A Korean Anthology and The Good People: Korean Stories by Oh Yong-su. He teaches Korean literature at the University of Hawaii.

       When Hwang Sun-wŏn wrote "Old man Hwang " in the fall of 1942, he had no idea when, if ever, it would see the light of day.
       
       He was twenty-eight years old then, only three years out of college. The unemployed father of two boys, he had just published what was to be his last work to appear for some three years.
       
       Because of the Japanese policy of eliminating use of the Korean language, Hwang had been finding it increasingly difficult to publish. He had decided early that year to continue writing while saving his work in hopes of a brighter day.
       
       In September 1943, he moved from Pyongyang to his native village of Pingjang-ri, in the nearby countryside. There he wrote in silence while the last of World War II played itself out.
       
       Hwang's apprenticeship
       
       It was during the silent forties that Hwang Sun-wŏn completed his literary apprenticeship, which he had begun as a student poet while enrolled in English at Japan's prestigious Waseda University. By graduation in 1939, Hwang already had two published poetry collections to his credit - the lyrical Madly Singing (1934) and the modernist Curio (1936. The outflow of simple sentiment in the former and the crafted nature of the latter foretold the nature of the prose to come from his pen:
       
       "Night on the Yalu River"
       (a fragment)
       
       Water water water
       Flows. As red as eyes engorged
       With blood, silted water flows.
       Now raging now crying, water
       of the Yalu flows.
       (from Madly Singing, 1934)
       
       "Duck"
       "2"
       mimicked
       you.
       (from Curio, 1936)
       
       It is notable that Hwang's early poetry demonstrates two propensities that have long characterized his work, his humanistic spirit and his consciousness
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