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Mass Culture in the Movies


Article # : 15491 

Section : SPECIAL SECTION
Issue Date : 12 / 1989  3,950 Words
Author : Ben Stein
Ben Stein is a writer, lawyer, economist, and actor living in Malibu, California.

       "What's happening all over?
       I'll tell you what's happening all over:
       Guy sittin' home by a television set,
       Who used to be something of a rover—
       That's what's happening all over."
       
        These lines, from the immortal early 1950s musical comedy Guys and Dolls, keep racing through my little pea brain nowadays. The reason is that I recently bought a twelve-hour "special collectors' edition" of Victory at Sea, the classic early 1950s NBC documentary, on VHS. Day after day, I sit at home and watch it. Over and over, I see the Japanese waiting in trenches and cages while the Marines storm ashore. Night after night, I see waves crashing over transports on the Murmansk run, Rommel fleeing Montgomery, B-29s pulverizing Tokyo, brave soldiers being carried away from beaches on stretches, fields of crosses at cemeteries in the Marianas.
       
        There is a reason that I watch all of this heroism over and over again. The reason is that what is usually watched for rest and recreation, mass culture on television and in movies, has taken a ratchet turn for the worse so profound that I can only overcome total despair by turning to the glories of the past--now available at the press of a button on my faithful flickering Sony.
       
        Herewith, from the point of view of both an insider and a viewer, is a brief tour de la boue of what's new and unfortunate in mass culture.
       
        Producer's Fantasy
       
        1.) The ersatz family. Over the past five years, "family" has become a major buzzword in sitcom programming. It means, if it works, reaching the perfect audience, getting no heat from the preachers, and selling into bigtime rerun money. As a producer's fantasy, it also means, please God, another Cosby Show.
       
        The result is that on any night, between 8 and 9 P.M. especially, the networks are crammed to bursting with families of every description. The nauseating part in that these families are painfully faked up, tricked up, and unappealing. There are families with little kids and one mother. There are families with little kids and one father. There are also shows with a little kid and two fathers and no mother. Now, God help us, there is even a show with little kids, three fathers--two straight, one
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