World & I Online Magazine  
World & I School | World & I Homeschool | World & I College | World & I Library
 Username:   Password:     Subscribe   Register               About Us | Contact Us | FAQs
18-Year Archive Peoples of the World Book Review Worldwide Folktales Fathers of Faith
Search  
Sort by: Results Listed:
Date Range:    Advanced Search

Online Magazine
 
  Current Issue
Editorial
Current Issue
The Arts
Life
Natural Science
Culture
Book World
Modern Thought
  Resources
18-Year Archive
American Waves
Book Reviews
Ceremonies/Festivities
Eye on the High Court
Fathers of Faith
Footsteps of Lincoln
Millennial Moments
Peoples of the World
Profiles in Character
Teacher's Guide
Traveling the Globe
Worldwide Folktales
Writers and Writing

Off-Broadway: Where to Find Real Theater Today


Article # : 12908 

Section : THE ARTS
Issue Date : 5 / 1987  2,577 Words
Author : Todd London
Todd London is the assistant editor of Theatre Times, a newspaper covering Off- and Off-Off-Broadway. He is also a free-lance director and writer.

       Broadway theater is suffering from its greatest artistic slump in over a decade. Escalating costs have meant that only megahit musicals can afford to play this street, a fact that has scared off cautious and adventurous producers alike. Of the five new musicals to open this season, four - Rags, Honky Tonk Nights, Raggedy Ann, and Into the Light - have closed within a week, and the fifth, the new Marvin Hamlisch/Howard Ashman musical Smile, seems destined for a similar fate. Dramatic revivals on Broadway, the recent stagings of O'Neill's The Iceman Cometh and Long Day's Journey Into Night, for example, fade quickly; serious new dramatic work appears to be a thing of the past. In fact, only British imports, such as Cats and Me and My Girl, have been able to sustain life at the heart of American theater.
       
        Broadway's death rattle in no way signals the end of New York theater, however. A thriving Off- and Off-Off-Broadway theater community offers the same diversity and wonder of which Broadway could once boast at affordable prices and in safe, easy-to-find places.
       
        Theater of Variety
       
        There are over 150 permanent, professional Off- and Off-Off-Broadway companies producing more or less full seasons in New York (as opposed to under twenty-five Broadway houses currently lit).They are as diverse in location and size as they are in the kind of theater they offer. These theaters can be found in every part of Manhattan and the adjoining boroughs, from Midtown to the West and East Villages, to the neighborhoods of the Upper East Side and the Yuppie haven of the Upper West Side. In fact, a short and safe four-block walk from the heart of Times Square ("Broadway") brings one to Theater Row, a string of Off-Broadway theaters on Forty-Second Street between Ninth and Tenth avenues. By developing community audiences and audiences interested in a specific kind of work, Off- and Off-Off-Broadway theaters celebrate diversity in the way that Broadway, looking for the widest possible audience, celebrates homogeneity.
       
        Among the people working Off-Broadway are America's most experienced and proven theater artists. Some of the country's biggest stars - Dustin Hoffman, Meryl Streep, Kevin Kline, Marybeth Hurt, William Hurt, Glenn Close - began their careers Off-Broadway and return with some frequency to its stages. Many of our finest playwrights only work Off- and Off-Off-Broadway when in New York; Pulitzer Prize-winner Sam Shepard, for example, has never been produced on Broadway. Fine designers, directors, and choreographers choose Off- and
... Read Full Article


Look for this article in Ask.com

Copyright © 2004 The World & I. All rights reserved. Terms of Use | Privacy Policy