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Beyond the Stereotypes


Article # : 12753 

Section : BOOK WORLD
Issue Date : 3 / 1987  3,148 Words
Author : John Briggs
John Briggs, a widely published science writer, is the author of Fire in the Crucible, a book on creative genius to be published by St. Martin's Press this coming spring. He teaches at the New School for Social Research.

       NATURE'S GAMBIT
       Child Prodigies and the Development of Human Potential
       David Henry Feldman with Lynn T. Goldsmith
       Basic Books, 1986
       304 pp., $19.95
       
       CONCEPTIONS OF GIFTEDNESS
       Robert J. Sternberg and Janet Davidson
       Cambridge University Press, 1986
       460 pp., $29.25
       
       THE PRODIGY
       Amy Wallace Dutton
       1986
       297 pp., $18.95
       
        For ages, child prodigies have excited awe, envy, titillation, and sometimes fear; journalistic reports of prodigies have abounded, yet surprisingly little has been done to study them scientifically. David Feldman's engaging account of his ten-year project to track the development of six prodigies is therefore an exciting and long-awaited contribution to understanding the ultimate "gifted child."
       
        Similar praise is due the Sternberg-Davidson collection of eighteen articles by leading giftedness researchers. Together, these books point toward a new realism in the debate about the factors involved in the emergence and cultivation of extraordinary talent. Amy Wallace's slickly written journalistic biography of early twentieth-century American prodigy William James Sidis is of lesser note. It is short on insight and woefully remiss in documenting its sources, but it also adds impetus toward a less circus-like view of mental prodigiousness.
       
        The group of prodigies studied by Feldman, who is professor and cochairman of the Eliot-Pearson Department of Child Study at Tufts University, included a boy who could speak nine languages and do Egyptian hieroglyphic by the time he was four, child chess masters, a musical prodigy who was composing symphonies before he was eight, a seven-year-old who spent his days doing higher mathematics and reading about quarks, and a boy who taught himself how to type at two and a half because he felt compelled to fill blank sheets with stories and poems.
       
        Co-incidence
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