World & I Online Magazine  
World & I School | World & I Homeschool | World & I College | World & I Library
 Username:   Password:     Subscribe   Register               About Us | Contact Us | FAQs
18-Year Archive Peoples of the World Book Review Worldwide Folktales Fathers of Faith
Search  
Sort by: Results Listed:
Date Range:    Advanced Search

Online Magazine
 
  Current Issue
Editorial
Current Issue
The Arts
Life
Natural Science
Culture
Book World
Modern Thought
  Resources
18-Year Archive
American Waves
Book Reviews
Ceremonies/Festivities
Eye on the High Court
Fathers of Faith
Footsteps of Lincoln
Millennial Moments
Peoples of the World
Profiles in Character
Teacher's Guide
Traveling the Globe
Worldwide Folktales
Writers and Writing

Les Ballets-Jazz de Montreal Brightens the World: French-Canadian Troupe Going Strong at Fifteen


Article # : 11822 

Section : THE ARTS
Issue Date : 8 / 1987  2,167 Words
Author : Iro Tembeck
Iro Tembeck is a choreographer and professor of dance history at the University of Quebec at Montreal.

       Fifteen years ago, in an unpretentious basement dance studio, Les Ballets-Jazz de Montreal was created - the collective brain-child of a cosmopolitan trio: a Hungarian immigrant (Eva von Gencsy), a Parisian expatriate (Genevieve Salbaing), and a neo-Canadian of Haitian origin (Eddy Tousssaint). All three had been linked to jazz dance as it was being exclusively taught in Canada at that time by von Gencsy, a ballerina formerly with both the Royal Winnipeg ballet and Les Grands Ballets Canadiens.
       
        Genevieve Salbaing, also originally a ballerina, had interrupted her career when she followed her husband, a well-known businessman, to Montreal. After a brief stint with Les Ballets Chiriaeff (later Les Grands ballets Canadiens), she retired from the stage for family reasons. Years later she became interested in jazz through von Gencsy, who then approached her to help shape the fledgling company.
       
        The Toussaint Touch
       
        Eddy Toussaint, the last of the founding trio, is better known today for his own present ballet company. His stay with Les Ballets-Jazz was brief. He had discovered jazz dance through the teaching of von Gencsy, thus helping to make it become prominent in French Canada during the seventies. Toussaint, as one of her eager students, had formed a semiprofessional company named Retros with the help of a Canada ManPower grant. Von Gencsy, moreover, had a nucleus of professional dancers who performed with her on numerous television shows. These two groups were to form the basis of the new company with Salbaing as administrator, fund-raiser, and organizer.
       
        The artistic mandate the company gave itself was to promote jazz dance and jazz ballet even though the company's original name was the all-inclusive "Les Ballets-Jazz Contemporains." The latter part of the title was soon dropped, to be replaced later by "de Montreal," partly because of the numerous foreign tours the company was making and for purposes of identification.
       
        In 1972, Canada's first jazz ballet company was formed. A year later Toussaint left over artistic differences, soon forming his own present company. In turn, von Gencsy herself withdrew from the board. Since 1978 the company's sole artistic director has been Genevieve Salbaing.
       
        The history of Les Ballets-Jazz is fraught with various tribulations. One of the company's greatest difficulties has been denial of financial aid
... Read Full Article


Look for this article in Ask.com

Copyright © 2004 The World & I. All rights reserved. Terms of Use | Privacy Policy